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Title:Nuclear War Now! Productions
Description:t one will find encoded in the grooves of these two LPs as could be hoped for. Indeed, the sound of Abominator is truly one of primitive barbaric violence. Abominator emerged at a time when Australia was beginning to fully define the hateful anti-christian character of the bestial blackdeath metal that has festered so potently throughout the region. In 1994, just 2 years after Corpse Molestation’s classic “Descension of a Darker Deity” demo, Abominator released their “Barbarian War Worship” demo. This tape and the one that followed entitled “The Conqueror Possessed,” pushed black metal to its most violent extremes. Along with contemporaries such as Destroyer 666 and Bestial Warlust, Abominator helped usher in a new distinctly Australian breed of bestial black metal that persists to this day. The two demos presented on this double LP reissue are easily among the most violent blackdeath recordings ever produced. Driven by the tremendous riffs of Andrew Undertaker (Cemetery Urn) and the incomparably maniacal drumming of Chris Volcano (Destroyer 666, Destruktor, Denouncement Pyre, Ignivomous) among others, Abominator’s sound is a unique balance of chaotic and evil energy presented in a manner that is focused and precise. While many bands within this subgenre veer toward a sound that verges on being out of control, Abominator execute their attack with vengeful accuracy. The effect on the listener is the release of a flood of adrenaline into the blood that resembles the body’s natural response to a state of combat. Cracked nails cut deep into the opponent’s flesh as his life drains from his body in bloody streams and he chokes for his final gasps of air. The decapitated head of the vanquished is thereafter triumphantly displayed as an exaltation of Satanic power and a dark warning to those for whom a similar destiny awaits.
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Abominator #8220;Barbarian War Worship #8221; Double LP Out Now
May 31st, 2010
Abominator #8220;Barbarian War Worship #8221; Double LP
ANTI-GOTH 148
Click on images to see more photos.
In truth, there is little more one can add to describe the sound created by Australia’s Abominator beyond the three words which comprise the title of their first demo: “Barbarian War Worship.” This title is as succinct and direct a description of what one will find encoded in the grooves of these two LPs as could be hoped for. Indeed, the sound of Abominator is truly one of primitive barbaric violence. Abominator emerged at a time when Australia was beginning to fully define the hateful anti-christian character of the bestial black/death metal that has festered so potently throughout the region. In 1994, just 2 years after Corpse Molestation’s classic “Descension of a Darker Deity” demo, Abominator released their “Barbarian War Worship” demo. This tape and the one that followed entitled “The Conqueror Possessed,” pushed black metal to its most violent extremes. Along with contemporaries such as Destroyer 666 and Bestial Warlust, Abominator helped usher in a new distinctly Australian breed of bestial black metal that persists to this day. The two demos presented on this double LP reissue are easily among the most violent black/death recordings ever produced. Driven by the tremendous riffs of Andrew Undertaker (Cemetery Urn) and the incomparably maniacal drumming of Chris Volcano (Destroyer 666, Destruktor, Denouncement Pyre, Ignivomous) among others, Abominator’s sound is a unique balance of chaotic and evil energy presented in a manner that is focused and precise. While many bands within this subgenre veer toward a sound that verges on being out of control, Abominator execute their attack with vengeful accuracy. The effect on the listener is the release of a flood of adrenaline into the blood that resembles the body’s natural response to a state of combat. Cracked nails cut deep into the opponent’s flesh as his life drains from his body in bloody streams and he chokes for his final gasps of air. The decapitated head of the vanquished is thereafter triumphantly displayed as an exaltation of Satanic power and a dark warning to those for whom a similar destiny awaits.
#8220;Barbarian War Worship is one of the most savage and brutal demos of all time. The rabid and pulverizing attack of this volcanic eruption of black death chaos that these maniacs created is still unmatched today! #8221; Impurath of Black Witchery
Die hard version on red vinyl includes patch and sticker. Both versions with gatefold jacket, 12 #8243;x12 #8243; insert and A2 poster of the original BWW demo cover.
Click here to order the regular DLP.
Click here to order th die hard DLP. (I #8217;m waiting on the patches and stickers to arrive on Thursday so nothing will be sent out until Sat. June 5th)
Midnight #8220;Berlin is Burning #8221; Pic LP still available from #8230;
May 27th, 2010
Metaleros Germany still has 25 copies of the long sold out picture disk available. Google their website and order before they #8217;re all gone!
Snakepit Magazine #18 + Savage Grace #8220;Demo 83 #8243; 7 #8243; Out Now
May 4th, 2010
Snakepit Magazine #18 + Savage Grace #8220;Demo 83 #8243; 7 #8243;
ANTI-GOTH 144
Click on image to see more photos.
Snakepit returns with a vengeance… and a colored cover ! Issue 18 features, nothing but traditional Heavy, Power, Speed, Thrash Metal one more time with the likes of ARTILLERY, CHARTER, CYCLONE TEMPLE/ ZNOWHITE (exclusive interview with Scott Schaffer !), DECAPITATOR/ NECROPOLIS/ WARGOD, DDT, SLAYER/ KARION/ JAG PANZER/ FATES WARNING/ WARCHILD/ TALISPHERE (Chris Cronk reveals everything !), FISHEL’S BEAST, FRIGID BICH, H-BOMB (the one I should have done in the first place !), HIRAX (Scott Owen speaks about his HIRAX days, something extremely rare !), JUGGERNAUT, KRAKEN, LABEL SPECIAL (Sydney Productions), MORSÜRE (featuring for the first time all members), SAVAGE GRACE (possibly the most in depth interview I’ve ever done ! An absolute MUST for S.G. fans !), SKULLVIEW, TALISPHERE, TNT (France, one of the best Hard Rock bands ever from this country !) and WEHRMACHT !
Not enough? Hmmmmm… as exclusive bonus you will get a 4 track single from the one and only SAVAGE GRACE ! Featuring an extremely rare recording that only a handful of people knew and we thought it would be great to share it with you, die hard Metallers… a demo recorded back in November 83, material that was destined for the first album « Master Of Disguise » but with John Birk on vocals ! So not only it’s a rare performance but also the songs themselves are amongst the strongest ever penned by the band- and it includes a special song that you will discover once you will have the thing into your hands ! Surprise surprise !
First 100 orders will get green vinyl edition of the 7 #8243;. This is a first come first serve deal so don #8217;t email me asking to reserve a green vinyl.
Click here to order.
Wholesale for Snakepit magazine #18 is available at a minimum of 14 copies.
I can fit up to 14 copies in a flat rate box for $42 International and $11 Domestic. The per unit rate for wholesale is $7 each.
INTERNATIONAL:
14 x $7 = $98
Postage = $42
sub total: $140
PayPal fee: $5.60
Grand total: $145.60
DOMESTIC:
14 x $7 = $98
Postage = $11
sub total: $109
PayPal fee: $4.36
Grand total: $113.36
You can PayPal me at yosukekonishi@yahoo.com
Xibalba #8220;Demo 2010 #8243; Tape Out Now
April 27th, 2010
Xibalba #8220;Demo 2010 #8243; Tape
ANTI-GOTH 153
Click on image to see more photos.
Mexico’s Xibalba have been among the most mysterious presences within the North American Black Metal underground for nearly 20 years. Their recorded output is limited, but incomparable. In spite of the small volume of Xibalba’s recorded output, one may convincingly argue that no other band from the Americas has ever so effectively harnessed the European Black Metal sound and so convincingly reconfigured it by infusing their own character, identity, and history, while still maintaining a traditional sounding approach. This is because Xibalba’s ancestor worship and dedication to the elder Gods informs every aspect of their sound. At its best, Black Metal is and has always been a spiritual endeavor. Xibalba, more than perhaps any other band from this continent, has recognized and internalized this axiom. Now, 16 years after the original release of their only album, Xibalba re-emerge with a newly recorded demo. This material finds the band once again opening doors to regions of human consciousness only reachable by extending our vision outside the confines of the modern world and into the timeless domain of the ancestral cult. Xibalba’s music is therefore steeped in the Mayan mystical tradition and yet also roils with contempt for the state of man in this epoch of dissolution and degeneration. This demo is a reawakening of Xibalba’s traditional sound with all of the essential elements still intact. It seems at times that Xibalba’s sound has been effectively frozen in place throughout the intervening years. Nothing of the monumental character of their earlier work has been lost. Seldom in this scene does a band return to recording after such a hiatus and so successfully retain the stylistic integrity of its sound. On this demo Xibalba have once more established the virtue of their ancient traditions through the medium of Black Metal, and once more Xibalba have demonstrated the both archaic and eternal nature of their music.
Click here to order.
Brain Dead, Anatomia, Sanguis Imperem/Nocturnal Blood LP Out Now
April 26th, 2010
BRAIN DEAD #8220;FROM THE ECSTATSY #8221; LP
ANTI-GOTH 122
Click on image to see more photos.
(Description by J. Campbell)
Following the release of their two demos, Brain Dead released their first and only album, “From the Ecstasy” in 1992. NWN is proud to present this album, which was previously a cassette-only release, on vinyl in conjunction with the vinyl release of their 1991 live demo. These two releases capture the transition that the band’s sound underwent over their short career and demonstrate thoroughly the versatility of their work. While the Malaysian blasphemers’ demos are an attack of bestial deathrash, this album displays a more calculated and technical death metal approach. For this more elaborate studio affair, Brain Dead refined and tightened their sound, but nonetheless retain the savageness for which they are customarily recognized. This transition mimics the metamorphoses that many of Brain Dead’s contemporaries (particularly the Brazilian hordes) were undergoing at the same time. This widespread shift in approach often begs the question of whether so many of these bands were seeking this sound all along and were simply incapable of attaining it on their demos due to a lack of technical proficiency and access to the requisite technology, or whether they merely opted for a new more controlled sound. Such academic questions are of little value when one hears the music, however. Had any of Brain Dead’s work been given the attention it deserved, their legacy would have been of a nature far grander than it has been. Indeed, Brain Dead clearly occupy the upper echelon of the music from their region of the world and present some of the finest and most bestial death metal to have emerged from that era. This album vividly illustrates this and will at last preserve Brain Dead’s rightful place in the history of the underground.
Die hard version comes as 2xLP set with the #8220;Live Demo 1991 #8243; MLP and includes patch and sticker.
Click here to order the regular version.
Click here to order thd die hard version.
SANGUIS IMPEREM/NOCTURNAL BLOOD SPLIT LP
ANTI-GOTH 143
Click on image to see more photos.
(Description by J. Campbell)
Despite decades of evidence to the contrary, there is an often-voiced misconception that the environment of Southern California is not conducive to the creation of sincerely dark Black and Death Metal. Seen through the camera lens, the Los Angeles area appears too commercial, too sterile, and too artificial. Yet beneath the sun drenched skies, the entire geographical region seethes with the violence and sickness of a region that is awaiting the first outbreak of the impending apocalypse. Disease ridden and consumed by warfare, this area has already welcomed the coming dark age and radiates nihilistic decadence unlike any other geographic region in the world. This atmosphere is perfectly captured by the two bands on this split release, and the image it produces is of a world precariously balanced at the precipice of its own ruin. Importantly, the bands on this split have contributed extraordinarily strong material for this release. Perhaps it is because both bands are still in their primordial stages and therefore still feel the need to prove themselves with every release or perhaps it is because of the close relationship between the members of Nocturnal Blood and Sanguis Imperem; whatever the reason, the music presented here is the finest that both bands have yet unleashed. Although the foci of the bands may be distinct, there is an intensity that unifies the two and makes for a cohesive split LP. Nocturnal Blood is another outpouring of malefic energy by the same tormented mind that created Hate Kommand and Nuclear Desecration. With this release, Nocturnal Blood pushes this vision of unrelenting evil ever forward beyond anything the band has previously concocted. This is among the most unsettling and atrocious Black Death that the U.S. has produced in years. Sanguis Imperem, members of which often perform as live session members for Nocturnal Blood (which is otherwise a one-man project) and behind Damon Bloodstorm for the Holocaust Wolves of the Apocalypse gigs in the United States, has been among the most promising U.S. death Metal acts since the release of their incredible mCD, “The Stagnation of Centuries.” With the tracks on this release, Sanguis Imperem continue to construct intricate and impenetrable walls of Death Metal terror in their uniquely martial style. Clearly drawing inspiration from Incantation and Disciples of Mockery, Sanguis Imperem integrate into their work a sense of strength and warfare that renders it among the most powerful in the current Death Metal scene. The result is epic, victorious, and devastating and the tracks on this split expand the boundaries of Sanguis Imperem’s conquests. Both of these bands are poised to dominate the U.S. scene in coming years and this split presents each at the apex of their power.
First 100 orders will get the colored vinyl version.
Click here to order.
ANATOMIA “DISSECTED HUMANITY” LP
ANTI-GOTH 150
Click on image to see more photos.
Written by Gortician for http://blooddelirium.blogspot.com
Anatomia; a seldom talked about 3 piece hailing from Japan, comprised of the backbone of the legendary Transgressor - Takashi Tanaka on drums and vocals, and Yoshio Hasegawa on guitar and vocals (both also played in Necrophile, who released a great split with Abhorer eons ago) joined by a friend - Jun Tonosaki on bass duties and vocals. Anatomia really isn #8217;t a hundred miles away from Transgressor, though I detect a much more distinct doom presence here. Slow, miserable droning passages alternate with more upbeat mid-paced sections, neither of which sounding any less heavy and crushing as the other. Any comparisons made with Mental Funeral era Autopsy are pretty much right on the money, just listen to the start of #8220;Suicide #8221; or #8220;Carnal Mutilation #8221; and you #8217;ll see what I mean. I can also pick similarities to Winter, and to a lesser extent Hellhammer. Soundwise Anatomia are heavy as fuck, dense, fuzzed out and viscous. Heavy handed drumming pounds along at a snail #8217;s pace, and seem to rely on following the riffs a good majority of the time. Vocally Anatomia has given an exceptional performance for this style of Death Metal, sickly dry heaving growls trade off with an occasionally more Demilich like liquescent / vomitous approach. The odd pitch shifted gutter gurgle moment makes an appearance too. A cool cover of Autopsy #8217;s #8220;Stillborn #8221; makes for a perfect way to end to the album, which Anatomia completely nail. It does great justice to the original whilst given a slightly thicker, sludgier edge. The overall substance of #8220;Dissected Humanity #8221; coincides with the subject matter accurately. Sordid acts of cannibalism, the undead, morgues and mutilation are in order here. It might sound cliche but it fits their sound like a glove. For some this may take a bit of patience to appreciate, but for Autopsy fans this is a definite must. It #8217;s plain as day that these guys are no newcomers to Death Metal, and along with Coffins are easily one of Japan #8217;s finest exports. To date this remains their only full length (apart from a demo, and 3 way split with the aforementions Coffins and Grudge), fingers crossed for a follow up album soon.
Updated layout with new cover artwork and hand written texts by Chris Reifert of Autopsy/Abscess. Die hard version on colored vinyl with patch and sticker.
Click here to order the regular version.
Click here to order the die hard version.
Cauchemar Joins NWN!
April 26th, 2010
Nuclear War Now! Productions is proud to present you its newest signing: the haunted doomy heavy metal band CAUCHEMAR from Montréal/Ottawa, Canada. Keeping the Canadian metal flame alight, their debut EP, #8220;La Vierge Noire #8221; will be released this summer on 12 #8243; vinyl and MCD.
The EP will feature 5 tracks, all sung in French, two of which you can hear on their page: http://www.myspace.com/cauchemarmetal
Next Live Ritual:
October 9th, 2010 @ Katacombes
w/ VULCAIN, MIDNIGHT + TBA
Brain Dead MLP and Nocturnal Graves/Hell Spirit CD Out Now
April 19th, 2010
Brain Dead #8220;Live Demo 1991 #8243; MLP
ANTI-GOTH 114
Click on image to see more photos.
While many, if not most, bands feign hatred and contempt to fit in with current metal standards, some bands’ music seethes with a sense of loathing so authentic that it cannot be manufactured. Very often such bands reside on the fringes of the scene, and it is their position in this outer realm that instills within their music the hunger and animosity necessary to breed a truly barbaric sound. Brain Dead’s “Live 1991” Demo exudes this barbarism. This Malaysian band’s cruel rituals have been undeservedly neglected in many circles of the underground for nearly 20 years. However, the vinyl re-release of this demo will finally expose Brain Dead’s misanthropic bestial Deathrash to the world again. This style of music simply cannot be made today with the same effect. It is for that reason that the unearthing of classic bands such as Brain Dead is such an important endeavor. At a time when there seems to be so little genuine within music, it is a powerful reminder to look back to an era and geographic region capable of producing such aural hostility. Brain Dead’s style is reminiscent of the Brazilian and South-East Asian bands that emerged in the late 1980’s playing a heinous Deathrash which placed a greater emphasis on the delivery of the music than on the technicality of it. These scenes were striving to evoke the feeling of endless evil and, to that end, placed factors such as recording quality secondary to their blasphemic passions. This live recording captures the essence of this unholy pursuit. This sound is not refined, but it is possessed with an imminent intensity that supersedes all else within the music. While it may be convincingly argued that the modern technology is causing a general weakening of music in this new century, there are still untapped reservoirs of the putrid remains of the past that, as in the case of Brain Dead, sound as fulfilling today as they would have two decades ago.
Die Hard version will be released together with the Brain Dead #8220;From the Ecstasy #8221; LP in a few weeks.
Click here to order.
Nocturnal Graves / Hell Spirit #8220;The Grave Spirit Sessions #8221; CD
ANTI-GOTH 140
(Description originally written by J. Campbell for the vinyl version)
As the sickness of this festering world swells and vice and degeneracy seep out from the cracks and crevices of the continually eroding cities we have built around us. Hatred reigns supreme between men and violence abounds. You can feel it in your blood that the end is at hand. The “Grave Spirit Sessions” LP is the ideal soundtrack to the impending apocalyptic downfall. Nocturnal Graves’ songs on this split seethe with a madness and insane deathlust that drenches the air. Their expert incorporation of melody and their obsessive precision demonstrate clearly that Nocturnal Graves have perfected their craft and their side of this split LP is a testament to their tyrannical reign in the deathrash subgenre. Sharing in this bloodbath is Finland’s Hell Spirit who cover much the same ground. With only two self-released demos to their name, Hell Spirit have remained relatively unknown until now. Yet their driving attack and the impenetrable evil of their riffs render them an ideal and complementary selection for this split LP.
Click here to order.
Midnight / Abigail Japan Tour
April 15th, 2010
Back in town
April 15th, 2010
I #8217;m back home and will be catching up with orders and emails in the next few days. Please do not email me if you don #8217;t have to.
Distro Slow Down
April 7th, 2010
I will be away from April 5th to the 14th. Things will slow down significantly while I #8217;m gone. Most orders placed before April 3rd have been sent out. Any orders placed after April 3rd will be processed later this week by NWN Helpers. Thanks in advance for your patience.
YK
laquo; Previous Entries


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